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Mamoru Hosoda ( Mirai, Wolf Children, Summer Wars) brings us a fairytale adaptation that turns the story of "Beauty and the Beast" inside out. If you think by now you know where this story is going, you don't. But Suzu sees something different in the Dragon, a pain that she also recognizes within herself. When her performance becomes a viral sensation, the world is obsessed with finding out who Belle could be in real life, and inside the world of U things take a similar turn when Belle, during a performance, encounters the Dragon, a beastly figure that terrorizes the virtual world and flees from the police force bent on exposing his identity and banning him from the platform. Why it’s great: Suzu Naito is a lonely schoolgirl in a small rural Japanese town, but inside the virtual world of U, Suzu goes by a beautiful and striking pink-haired pop singer alter ego she names Belle. Where to watch it: Stream on Netflix ( Watch the trailer) GKIDSĬast: Kaho Nakamura, Takeru Satoh, Kōji Yakusho, Lilas Ikuta If your mind starts to drift at times, that’s just part of the movie’s low-key charm. At times, it plays like Linklater’s answer to Terrence Malick’s Tree of Life or a prequel to his own coming-of-age saga Boyhood. But Linklater takes an almost essayistic approach to the material, leaning heavily on wry narration from Jack Black as the adult Stanley, to make this a tricky, playful memoir, one that’s less proudly nostalgic than it might appear.
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Filmed with the rotoscope animation style Linklater previously used on features like Waking Life and A Scanner Darkly, the movie first feels almost like a plucky kids show you might find on PBS.
Looking back at his own quiet Houston childhood in the late ‘60s, an era of social and political upheaval, director Richard Linklater tells the story of a young boy named Stanley (Milo Coy) who has a father who works for NASA, a bunch of pop-culture obsessed older siblings, and an overactive imagination. Why it’s great: Consumed with the delicate process of how memories refract and distort history, Apollo 10 ½: A Space Age Childhood is one of the most poignant movies ever made about falling asleep in front of the television. Where to watch it: Stream on Showtime ( Watch the trailer) Universal PicturesĬast: Milo Coy, Jack Black, Glenn Powell, Zachary Levi Directed by the Korean filmmaker Kogonada ( Columbus), After Yang is an existential drama that manages to be both joyous and heartbreaking. When Yang’s system malfunctions, it feels tantamount to a death, sending Jake on a path to restore Yang, or at least better understand his reality. Jake ( Colin Farrell) and Kyra (Jodie Turner-Smith) acquired one named Yang so their young Chinese daughter (Malea Emma Tjandrawidjaja) could have a sibling, and the pair have become the ultimate companions. It is also, more than anything, the story of a family who happen to live in a world where cognizant robots known as techno-sapiens exist alongside everyday mortals. She’s raising a vital, endlessly human quandary: Why do people assign a higher value to some identities than others? After Yang is a futuristic sci-fi parable that poses big questions on an intimate scale. Why it’s great: “What’s so great about being human?” a character asks in After Yang, wondering why a clone like her would be deemed second-rate.
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Read on to discover the best movies of 2022 so far.ĪLSO READ: The 40 Best Movies of 2021 and The Best TV Shows of 2022 (So Far) A24Ĭast: Colin Farrell, Jodie Turner-Smith, Justin H. These are the films that wowed us, moved us, and had us laughing so hard tears came out of our eyes. From festival gems to star-packed blockbusters, this list will hopefully give you a clear-eyed view of what remains a fractured landscape. As we have in years past, we’ll be updating this list of the best movies throughout the year, adding our favorite titles as they premiere in theaters and online.
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Keeping tabs on the latest horror freak-out or long-awaited sequel shouldn’t have to feel like a full time job. Knowing what’s available is half the battle. On the big studio level, huge releases, some of which have been delayed for years by the pandemic, can feel like they already came and went regardless of quality. On the indie side of things, it’s not uncommon for small films to briefly play into theaters before quietly landing on a streaming service that you may or may not already be paying for. In 2022, with the pandemic still reshaping Hollywood’s release strategy, new movies have a tendency to sneak up on you.
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